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A Place I Know

Exhibited 2018

This body of work is a record of my encounters with wildlife. Often these animals offered a passing glimpse before vanishing into their habitats. Here, in an ironic twist, the habitat vanishes into the bodies of these animals, suggesting the inextricable relationship between life and landform.

‘A Place I Know’ is a reminder of how quickly fixtures can become memories.

— WORKS —

Below are a selection of paintings that form a part of my body of work. All works were all created using graphite on 100% cotton paper. You can find more about my process below.

Exhibition 04/2018

6 Spin Street Gallery, Cape Town

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— PROCESS —

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My previous body of work (Imagine A Forest) drew heavily from scientific research papers that informed the composition of my artworks. At the time I had never seen many of the animals and plants I drew.

For ‘A Place I Know’, I decided to seek inspiration from my surroundings. For me to draw an animal, I had to have encountered it or at the very least spent considerable time in its habitat. The landscapes in these paintings are familiar, I walked around 3500 km in 2017–18. I climbed, I dived and hiked, returning from each adventure to my sketchbook with notes.

While the lucky few of us have had the chance to witness wild animals for a protracted duration of time, most encounters in the wild are fleeting. Creatures seem to disappear into their habitats, in part due to camouflage and in part due to their unparalleled knowledge of their environment. For ‘A Place I Know’ I used a visual twist, where the habitat vanishes into an animal. I think of it as a visual metaphor for the inseparable link between life form and environment.

While this gallery chronicles my encounters in South Africa, I did explore this idea in other places that I spent time in. I think there is still something to develop here, but there are so many ideas in the pipeline that I cannot say what the next few years will bring.

Here is an example from Ilhabela Island in São Paulo district in Brazil. One afternoon in my friend’s home, I came across a trapped Woodnymph. After observing it for a short while I released it outside. I was inspired to make a painting about this experience.

As a technical constraint I decided I would not use either black or white pigments and paint exclusively by sunlight.

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As a technical constraint I decided I would not use either black or white pigments and paint exclusively by sunlight. 〰️

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Ultramarine

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Imagine A Forest